Adrian Piper’s practice as a first-generation Conceptual artist in the 1960s led her to Kant’s Critique of Pure Reason; and this, in turn, to an in-depth study of philosophy that culminated in a Ph.D. in philosophy from Harvard and a successful academic career as a professor of philosophy. Though Piper has referred to this as her “day job,” she has also often said that her philosophical work is the theory that her artwork puts into practice. That theory is now available in its entirety in her Rationality and the Structure of the Self. Volume I: The Humean Conception critiques the prevailing desire-centered conception of the self, and Volume II: A Kantian Conception develops an original Kantian alternative. Encompassing the history of moral and political philosophy as well as engaging head-on with contemporary debates in ethics, economics and philosophical psychology, Piper’s two-volume project has been praised by philosophers as “groundbreaking,” “very powerful,” “original and important,” “brilliant,” “indispensable,” "a blockbuster" and “a highly significant contribution.” Art professionals will find it equally useful for understanding Piper’s unique contribution to Conceptual art and to art theory more generally.
Thirty-four years in the making, Rationality and the Structure of the Self was finally accepted for publication by Cambridge University Press after more than thirty referees had refused to read it. The first edition of both volumes appeared here as two open-access e-books in May 2008. Robert Del Principe asks candid questions, both pertinent and impertinent, about their history, content and implications. 60 Minutes. With German subtitles.
Rationality and the Structure of the Self
Rationality and the Structure of the Self